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Dear Carl
Well, that suit may be a heavy cotton/silk mixture but I don't think so.
As a devoted leather fetishist I usually have an instinct for the material!
Here are
the points I noticed: 1. The weather; if that isn't London in a damp, 1950's autumn then I'm a Dutchman's uncle! Cotton/silk most unsuitable - but leather would be perfect. 2. Notice the creases on the sleeves above the elbow and the way the sleeve has stretched and "bagged" a little - just like leather. Likewise the long "pulling" creases from the shoulder along the sleeve - typical of leather! 3. Notice the "sailor collar" knot and bow - the hang is typical of leather; the flap of the collar suggests a weight and smoothness more of leather than cotton/silk. 4. Notice the very pronounced seams on the skirt and the ridging of the material parallel to the seams, typical of early tailoring with fashion leather. The couturiers were not used to working with leather and often used standard, rather than specialist techniques. Ladies leather motoring coats and even motoring skirts (!) had existed in England since the turn of the century but they were not fashion apparel and no-one thought to get the specialist manufacturers of protective "leathers", such as Burberrys, to try their hand at fashion clothes like ladies suits or skirts! By the late 1920's and early 1930's women were already wearing leather coats for their practicality and warmth in the English weather, but the styles were predominantly masculine. The "explosion" of leather fashion coats in all colours came in the early 1960's. 5. Notice the broad hem and the puckering and creasing at the edge of the hem - again typical for leather.
(Editor - On the back of this we would like to start a leather fashion
section, split into early 60's and before and later 70's onwards. If you have
any pictures please contact us) |